From Prince to Lemonade: My Week in Pop Culture

eric richardson

I’ve literally been writing my tush off. Ever since Beyonce dropped “Lemonade” and the Purple One passed, the opportunities to produce stories examining their pop cultural influences have been many.

I tied the lack of diversity in most mainstream newsrooms into the discussion of who exactly should (or should not) be commenting upon Lemonade. And I stand by my column: more diversity is good for business, so businesses ought to be giving a plethora of people an opportunity to write or comment or report on  a story involving Beyonce. Continue reading “From Prince to Lemonade: My Week in Pop Culture”

Ledisi stopped by Mahalia Jackson’s grave before singing ‘Take My Hand, Precious Lord’

Image courtesy of Ledisi.
Image courtesy of Ledisi.

I was talking with Ledisi about her ongoing “Intimate Truth” concert tour, and I certainly didn’t expect for her to provide any extra details about the so-called Grammy snub. But she did. (You know the original story right? It’s from February 2015, where Beyonce sang “Precious Lord” instead of Ledisi, as part of the nod to “Selma.” Some fans got upset because Ledisi actually starred as Mahalia Jackson and sang the song in the movie.)

Anyhoo… Below you can read a portion of what the sultry songstress told me for a story that I penned for the Chicago Sun-Times:

I could not find a studio in L.A. to record the song! I couldn’t record in San Francisco. I had only one day I could do it. I had to go home. I flew to Louisiana because there was a studio there. When I landed I went to visit Mahalia’s gravesite, and laid flowers and thanked her for the opportunity. And then we recorded the song.

She never directly mentioned Beyonce by name, but did go on to say that she could respond to the issue with grace because she went about it in her own way and in a respectful way.  Asking permission of the dead. Can’t hurt, right?

The Intimate Truth Tour also features RaheemDeVaughn and Leela James, two stars that don’t get enough ink, adds Ledisi.  She also added that having drama shouldn’t be a requirement for getting ink in a newspaper.

“We don’t support our own enough,” she says. “Only when there’s drama is when we rise up… Can we rise up all the time?

And for the Chicagoans who like to go back to her very first songs and pretty much hear the entire catalogue, Ledisi (later, to me,) added a call for my South Side friends and fans to simmer down. “Chicago folk go all the way back to the very beginning. I’m not doing that. Please stop asking for it. I still have an album to promote yall!”

Anointed Debate: Should Beyonce Have Performed “Take My Hand, Precious Lord?”

adrienne samuels gibbs

The 2015 Grammys gave us all a lot to discuss. There was the old-young mashups, the kick off with a song about going straight to hell, a Kanye sighting or two or three and a send-off that included one of Black America’s most beloved gospel songs. Beyonce can sing, for sure. But many people took issue with how she sang Thomas Dorsey’s seminal classic – and made in Chicago – song “Take My Hand, Precious Lord.” And that’s only the tip of the iceberg. There’s also the issue of how Ledisi sang the song in the movie “Selma” but was unceremoniously left out of the Grammys performance lineup. Welp. I went straight to the sources to figure out what happened here.

This story first appeared on the Chicago Sun-Times website and, I’m proud to say, it garnered quite a bit of clicks that day and the days following. The debate continues though. Should Beyonce have sung that song? I talked with some of the giants of gospel to find out. You can continue the conversation on my Facebook page. Otherwise, read on.

— — — — —

There’s something everyone should know when considering and analyzing Beyonce’s Grammy performance of Thomas Dorsey‘s gut-wrenching gospel staple “Take My Hand, Precious Lord.”

It’s this: The song was written after Dorsey’s wife and newborn baby died and he writhed in pain, begging God to take even a piece of the hurt away. And anyone who is familiar with the African-American church — funerals in particular — has heard this song sung with a gut-punch. It’s not upbeat. It’s not fast. Rather, it’s poignant and intended to show how God does heal the singer and, as many in the black church might say, it offers proof of the “comforter” of the Holy Spirit.

Beyonce in her angel dress at the Grammys. | Photo by John Shearer/Invision/AP

It’s not a song to be sung lightly or without consideration. And that’s why there is a schism between those who appreciated Beyonce’s literal, angel-in-a-see-through-dress translation of the song and those who preferred Ledisi’s rendition (as Mahalia Jackson) in the movie “Selma.”

Beyonce also swiftly came online today to post a video explaining why she asked to sing the song.  Being that Chicago’s Pilgrim Baptist Church is the home of Dorsey and the birthplace of gospel music, it is only fair that local musicians and ministers weigh in on the controversy.

Grammy-nominated gospel producer Percy Bady, who sits on the local Grammy chapter, says he woke up to a Facebook timeline chock-full of judgments. “The concern is this: Look, this is a staple for us who grew up in the black church,” says the well-known producer who has years in the industry and is the minister of music for New Life Covenant Church. “And, coming out of Pilgrim Baptist Church here in Chicago, there’s a reverence that we have. No disrespect to Beyonce; she can sing anything. But, her rendition of ‘Precious Lord’ did not move me. It’s one of those songs you sing from another place.”

The writer, Adrienne Samuels Gibbs, saw this on a friend's Facebook timeline this morning in response to a Beyonce post.

He goes on. “I saw it for what it was: She performed. I wasn’t expecting to be slain in the spirit and wallowing on the floor or anything. It almost makes you wonder if this was a situation where the Grammys said, ‘Hey, this is what we’re gonna d0.’”

Bady is not alone. Many of Chicago’s Facebook pundits are saying they believe Beyonce really sang the song because that’s the only way the Grammys could get the superstar to show up for the telecast. The official word, however, from John Legend, is that Beyonce asked, and he and Common said yes.

Regardless. It’s the talk of the town for churchfolk everywhere. The memes alone — some of them using Jackson’s image — are to die for. And of course Black Twitter very quickly created the hashtag #beysus, which was trending by midafternoon the day after the show.

“It wasn’t a bad performance,” says Walt Whitman, founder of the Soul Children of Chicago. “It wasn’t like she was horrible, but maybe it wasn’t the power piece that would best represent that piece of music.”

But, says Whitman, there’s the political side of the performance as well. “There’s so many different levels to this that you’re dealing with. You had all those gospel artists in the room and any one of them could have killed it, but you chose not to. And in some cases, I believe they just don’t know. We’re making assumptions that the people [who produce] the Grammys know about anointing.”

And here’s Whitman’s clincher: “We’re not dealing with church. We’re dealing with people who do music as a profession, and they are looking at numbers and the bottom line for the TV show.”


Beyonce and feminism is a new course at the University of Illinois at Chicago

Did Selma get snubbed at the Oscars: A look at race and Hollywood

The general consensus of those interviewed here is that Queen Bey was not there to bring people to God — and perhaps it was unfair to expect that she might. She’s a secular, not a gospel, artist. “Beyonce did what Beyonce does: She performed,” says singer and Deacon Joi Buchanan-Johnson, also one of the conductors for the woman’s choir at Trinity United Church of Christ. There is a difference between performance and ministry. If you’ve heard the song, you know it was a song that comforted you. And visually [she] has this semi-see-through dress on. Beyonce is a performer to her bone.”

Other pundits say the entire incident — including a so-called “snub” against singer Ledisi, who portrayed Mahalia Jackson and sang “Precious Lord” in the movie — was contrived in order to get more people to talk about the controversy and increase ratings. And on that end, all agreed that Ledisi was gracious in her response to ET’s Kevin Frazier when asked about it:

“What I will say and what I’m excited about is that I had the pleasure of playing an iconic figure in ‘Selma,’ and the song, ‘Take My Hand, Precious Lord,’ it’s been going on forever — starting with the queen, Mahalia [Jackson], the queen of soul Aretha Franklin,” said the soul singer. “Then, I was able to portray and sing my version of the song, and now we have Beyoncé. Her generation will now know the song, so I’m a part of history.”